London’s Architecture Foundation has run a monthly programme of films at the Barbican for a few years now. They never fail to disappoint, and they attract a good crowd too. Next month is your chance to learn about this ‘geodesic dome ghost town’. Forget your gold rush ghost towns, this sounds way juicier – learn of the complex in-fighting, akin to that which befell the Biosphere II. Despite Alain de Botton’s argument in the Architecture of Happiness, sometimes we humans can never escape our self-imposed misery, despite fabulous surroundings.
“Drop City is a story about artists who rejected the war-mongering and materialistic sensibilities that dominated the 1960s and chose instead to invent their own civilization. They had little to go on – they were at the forefront of the rural communes of the sixties – other than the instinct that people might thrive if they were free to live simply, share resources, and have time to do creative work. But Drop City was more than just an experiment in living outside of mainstream culture. It was, for several years, a laboratory for inventing new ways to build with geometric form and discarded materials.” – Joan Grossman, Director
An exploration of the fabled Drop City – a short-lived countercultural settlement cited as the world’s first rural hippy commune. Founded in 1965 in Southern Colorado, the ‘Droppers’ created from, and subsisted on, society’s surplus through whimsical innovation and the drive to create a new civilization on the scrapheap of a wasteful society.
“Gentlemen: I take great pleasure in informing you that you have won the ‘Dymaxion Award’ for 1966, for your remarkable initiative, spirit, and poetically economic structural accomplishments. Faithfully yours, R. Buckminster Fuller”
So wrote Buckminster Fuller to the commune upon their winning of his inaugural Dymaxion Award. However, in the years that would follow, major media attention, in-fighting and a Summer of Love hippie onslaught soon caused the ‘city’ to become a geodesic ghost town. A treasure trove of archival footage and interviews with former residents reveal a fascinating picture of a now vanished prototype of experimental living.
USA 2012, Dir. Joan Grossman, 82 mins